Renée Robyn – Creating Your Reality with Composite Photography

Description

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Renée Robyn – Creating Your Reality with Composite Photography

• 60 Video lessons in HD
• 9h 8m of class content
• Exclusive bonus content

LESSONS

1. Class Introduction
2. Why You Should Sketch Your Composite
3. What To Look For In Your Background
4. Posing Your Model
5. Communicate With Your Team
6. Elements Of Compositing
7. Learning From Failure & Criticism
8. On-Location Safety Tips
9. How To Nail The Right Perspective For Your Composite Photo
10. Gauging Light & Exposure On-Location
11. On-Location Posing
12. Cliff Shoot Location Final Thoughts
13. Tips For Culling Images
14. Culling Images Q&A
15. Preparing Your Image For Composite
16. Composite Image Cleanup
17. Adding Background Image To Composite
18. The Difference Between Flow & Opacity
19. Composite Sky Elements
20. Using Curves To Color Match
21. Adding Atmospheric Depth To Image
22. Using Color Efex Pro To Manipulate Color
23. Using The Liquify Tool
24. Color Theory & Monitor Calibration
25. Adding Smoke Layer To Image
26. Selective Sharpening
27. Crop Your Image
28. Goal Setting For Digital Artists
29. Review Of Location Composite
30. Understand Angle & Height For Your Base Plate Image
31. Base Plate Focus Point
32. Base Plate Lighting Tips
33. How To Use A Stand-In For Base Plate Image
34. Capture On-Location Base Plate Image
35. Student Positioning Demo
36. Base Plate Sketching
37. On-Location Sky Capture
38. What To Look For In A Base Plate Model
39. Building Composite Model Lighting
40. Composite Model Test Shots For Angle Matching
41. Composite Model Shoot: The Art Of Fabric Throwing
42. Composite Model Shoot: Working With Hair
43. Composite Model Shoot: Posing Techniques
44. Composite Test With Final Shot
45. Lighting Setup Overview
46. Culling Model Shoot Images
47. Adjusting Skintone Colors
48. Merging Background With Model
49. How To Mask Hair
50. Creating A Layer Mask With The Brush Tool
51. Creating Shadow Layers
52. Removing Visual Distractions With Stamp Tool
53. Replacing Sky With Layer Mask
54. Drawing Hair Strands And Atmospheric Depth
55. Creating Contrast In Your Composite
56. Adding Atmospheric Elements
57. Using Particle Shop
58. Selective Color Adjustments
59. Cropping, Sharpening, & Final Touches
60. Closing Thoughts

CLASS DESCRIPTION

With the right Adobe® Photoshop® know-how and studio shoot experience, you can merge fact and fiction into a reality that lives up to your imagination. Renee Robyn has made a career of turning everyday photos from her travels into eye-catching images. Robyn will teach you how to add people and other elements to your existing landscape photos using ethereal custom effects.

In this class you’ll learn:

• How to choose or set up a shoot for your background image
• How to direct posing during a shoot, and work with directional light in-studio to make your subject fit into the background image
• How to composite your subject into your image using Photoshop

Photo compositing allows you to breathe interesting ideas into your photos. Open your hard drive, walk into your memory, and turn past experiences into fantastic new realities.

RENÉE ROBYN

Growing up surrounded by the vast prairie of the Canadian north and tales of faraway places, Renée Robyn has chased the perfect backdrop around the world. Approaching photography like a treasure hunter, her compositions are uniquely cinematic, often becoming pieces of a bigger world represented beyond reality. Renée’s style is easily recognizable and distinctly her own. Expertly blending fact, fiction, and a little digital alchemy, she has worked with industry-leading brands like Wacom, Viewsonic, Corel, Capture One, and Intel.

Comfortable facing down gale force winds, climbing fog-shrouded mountains or fast pace commercial studios, her work is impressive and committed. An expert retoucher, Renée applies the same level of commitment to post-processing leveraging her mastery of color theory, editing, light, and shadow in the digital realm of Photoshop.

She has presented lectures around the world, including PhotoPlus, WPPI, Photokina, CreativeLive, ProEdu, and more.

Frequently Asked Questions:

1. Innovative Business Model:
   • Embrace the reality of a genuine business! Our approach involves forming a group buy, where we collectively share the costs among members. Using these funds, we purchase sought-after courses from sale pages and make them accessible to individuals facing financial constraints. Despite potential reservations from the authors, our customers appreciate the affordability and accessibility we provide.
2. The Legal Landscape: Yes and No:
   • The legality of our operations falls into a gray area. While we lack explicit approval from the course authors for resale, there’s a technicality at play. When procuring the course, the author didn’t specify any restrictions on resale. This legal nuance presents both an opportunity for us and a boon for those seeking budget-friendly access.
3. Quality Assurance: Unveiling the Real Deal:
   • Delving into the heart of the matter – quality. Acquiring the course directly from the sale page ensures that all documents and materials are identical to those obtained through conventional means. However, our differentiator lies in going beyond personal study; we take an extra step by reselling. It’s important to note that we are not the official course providers, meaning certain premium services aren’t included in our package:
     • No coaching calls or scheduled sessions with the author.
     • No access to the author’s private Facebook group or web portal.
     • No entry to the author’s exclusive membership forum.
     • No direct email support from the author or their team.

   We operate independently, aiming to bridge the affordability gap without the additional services offered by official course channels. Your understanding of our unique approach is greatly appreciated.

Refund is acceptable:

• Firstly, item is not as explained
• Secondly, Item do not work the way it should.
• Thirdly, and most importantly, support extension can not be used.

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